![]() Instrumentation: Trumpet I/II/III, timpani, oboe I/II, violin I/II, viola, basso continuo (second movement: only strings and continuo). ![]() Metrical sign of the opening section is metrical sign of fugal section is 2 | fugal section, in which the autograph first violin part is marked "vite" (fast) metrical sign for final section) The source is a partially autograph set of parts (Bach wrote out those for flute and viola) from Leipzig in 1738–39. However, this work is highly unlikely to have been composed by J. The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. ![]() Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below. The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that " Telemann's 135 surviving examples only a fraction of those he is known to have written" Christoph Graupner left 85 and Johann Friedrich Fasch left almost 100. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. The four orchestral suites BWV 1066–1069 (called ouvertures by their composer), are four suites by Johann Sebastian Bach. Bach's autograph of the traversière part of the second orchestral suite (BWV 1067) ![]()
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